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A reissue of this lost, barely-released 1997 album by The High Beams. Daydream is underwater lo-fi dream pop for guitar and drum machine.

Released by Why the Tapes Play.

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Cometbus #55 could be looked at two ways: A treatise on growing up without giving up, or proof that even the most dedicated proponent of youth culture grows old. Either way, it’s fascinating. It’s coming from a life in punk, leftist politics, and DIY culture, but you don’t need to be interested in any of that to be interested in the stories he tells.

72 pages, half-letter size...[ continued ]

With the hyperbolic zeal and rancor of a true bookseller, Aaron Cometbus brings to life his chosen family: the booksellers of New York City. A Bestiary of Booksellers is for anyone who has sold books long enough to have it seep into their identity, but it’s also for all manner of book addicts, subculture scholars, obsessives, and night owls.

112 pages, half-letter size, perfect-bound...[ continued ]

In this, the 35-year anniversary issue of Cometbus, Aaron interviews cartoonists. Made for both the diehards and those generally wary of comics, the zine is a dive into New York comic culture—from those in the spotlight to those lighting the world behind the scenes.

Interviews with Gabrielle Bell, Robin Enrico, Jeffrey Lewis, Julia Wertz, Bill Kartalopoulos, Gary Panter, Adrian Tomine, Ben Katchor, Paul Levitz, Drew Friedman, Karen Green, Gabe Fowler, Kim Deitch, and Al Jaffee...[ continued ]

Last copy! Addicting and perfectly bizarre, Cometbus #58 is a story about finding home in a greasy-spoon diner full of combative old-timers. It's a ride full of strangeness and surprises.

44 pages, half-letter size.

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Temporarily out of stock! They're currently being reprinted and, though we won't have more before Xmas, we will have more before the new year. Contact us if you'd like a copy/copies set aside.

The Famous Faces calendar is an annual favorite around here. Paintings of legends from across the musical map: soul to country, garage rock to jazz, surf to folk revival, and beyond...[ continued ]

Another burst of Minimum Rock + Roll. An interview with Notches and a bunch of reviews, all in a nice, compact size.

8 pages, oblong quarter-size.

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In Caboose #10, zine limunary Liz Mason explores the world of transcendental meditation. The zine is an adventure through her discovery process, taking her into nondescript offices and tiny rooms full of fruit and hankies. Also within: TM memoirs, informational videos, Cutco knives, Dale Carnegie, Skinny Puppy, Jerry Seinfeld, the Maharishi, and David Lynch.

24 pages, half-letter size...[ continued ]

The third album from The Washboard Abs finds them reinventing themselves yet again. After the bedroom-folk of Have U Scanned Ur Club Card? and the short, full-band bursts of Recurring Chasms, Lowlight Visions is both a continuation of their pop prowess and a revelation: a fully-realized vision by a band at the height of its powers.

A complex indie-pop album, steeped in jazz and art-pop influences, Lowlight Visions confronts the declining health of a partner and the possibility of loss...[ continued ] The Washboard Abs- Never Finds You

This issue of the long-running Basic Paper Airplane zine series focuses on interviews—what it means to create that space and all the ways they can succeed or fail. Ten interviews with writers, artists, and musicians that delve into the creative process, identity, family, image, myth, and obsession.

Interviews with: musician Owen Ashworth (Advance Base/Casiotone for the Painfully Alone), essayist Elena Passarello (Animals Strike Curious Poses), poet Casey Fuller (A Fort Made of Doors), musician Erika M...[ continued ]