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Know Your Vote, a workbook zine from Anna Jo Beck, seeks to help you make sense of the United States voting system and political structures. Prompting you to figure out your state's elections, representatives, and local government, this zine is a much-needed guide for anyone left confused by the (often ridiculously complex) American systems of democracy. 

From Beck's Biff Boff Bam Sock zine series...[ continued ]

In a catalog rich with psych-folk gems, Patina is one of Appalachian Yard Art's best. Strange and playful, the album traverses a broad sonic and emotional range. Highly recommended. 

Listen on Bandcamp.

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Appalachian Yard Art- Copper

Syndicate Product, one of the all-time great compilation zines, returns with Unrecommended Reading. Ten contributors write about the books that disappointed, angered, or otherwise drove them nuts. Within: Hallmark-level hatred, revolutionary fails, anti-Anne of Green Gables, and the life-changing magic of being okay with your mess.

With words from: Davida Gypsy Breier (Xerography Debt), Jenna Freedman (Before I Forget), Kathy Moseley (Ear Plugs & Ticket Stubs​), Ken Bausert (The Ken Chronicles), Juleigh Howard-Hobson, Samantha M...[ continued ]

An epistolary zine from Jonas (Fixer Eraser) and Julia Eff about mortality and carrying on in the face of serious health and mental health issues. Raw, real, and filled with ghosts.

32 pages, quarter-size.

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Coming out of the ever-burnt out depths of festival culture, this is the fifth volume of everyone’s favorite field guide to the modern incarnations of the hippie. A wide array of breeds are described in detail, for easy identification: the Millenial Tie-Dye, the Crystal Children Cartel, the Adolescent Firetroll, the Free Range Saxophonist, and many more.

32 page, full-color, half-letter size...[ continued ]

Dear Crone is the latest from Olympia's Woolen Warrior. With its expansive take on sparse Northwest indie folk (think early Pedro the Lion or Damien Jurado), Dear Crone is an album about cycles, about (according to songwriter Sam Gray), "How they exist within ourselves and how we exist within them. The comfort of their continuance and the awe of their indifference."

Featuring musical contributions from Pamela Margon (Tattered Dress), Andrew Dorsett (Lake), Ariel Page, and Jen Grady (You Are Plural)...[ continued ]

For the first volume of Why the Tapes Play Records' Covers Project series, nine artists interpret work from Swedish electro-folk band Wintergatan. A wide range of reinventions—from solo kalimba to chamber-pop to oddball electronic. 

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A graph paper notepad made from recycled/reused materials. 

Offset print, chipboard covers, beautifully made. 5" x 7.5", 50 pages.

Belgian electronic producer Sickboy (the artist who brought such breakcore classics such as "Ganja Bullet" and "Worst Trade Center") returns with Jurassickboys, an amusement-park ride through pop culture's destruction. Released on Portland's own Fukdup Records. 

On translucent yellow vinyl with red and black splatters. Listen on Bandcamp...[ continued ]

An expert in stirring opposing energies and forces into the same pot, Rachel Lee-Carman's zines are always unlike anything else; an experience all their own. Within: travels to both sidewalk tarot readings and Mom's Bible study group. There's Grandma's tea readings, palm readings, the roots of the word witch, sipping spells, urban herbal harvests, poems in hollowed-out eggs.

Friends contribute, writing about being Native American in a culture that wants to trivialize the customs and forget the people...[ continued ]