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Zines

In the second Farm and Wilderness Report, Frederick Moe continues telling and gathering the entwined histories of Total Loss Farm and Montague Farm, communal farms that came out of the underground press movement of the 1960s. The ideal zine for anyone interested in the back-to-the-land movement, communal farming, and counterculture history.

24 pages, half-letter size.

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This issue of 8-Track Mind comes after a ten-year (!) hiatus and is by far one of the best zines I’ve read in a long time. No longer purely an 8-track fanzine, it is now a look at the future of paper media and analog technologies in the digital present.

Editor Russ Forster asks 14 people who have been creating for long enough to be considered legends (from filmmakers to authors, magazine publishers to members of punk bands) the simple question “zines vs...[ continued ]

8-Track Mind is back again and this time it has come to celebrate the analog resurgence. Wildly different pieces spanning a whole range of voices and opinions, with extra commentary from some legends of underground media and music.

8TM never fails to disappoint and has the ability to make you think about something as seemingly simple as music formats as something expansive, something that carries over into other aspects of life...[ continued ]

The ten-year anniversary issue of Basic Paper Airplane! Short essays about trying to make a living from writing words. Comic nightmares from the world of freelance writing, night school, weekly papers, and cities of books.

Paper airplane examples throughout. 32 pages, cut half-letter size.

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This issue of the long-running Basic Paper Airplane zine series focuses on interviews—what it means to create that space and all the ways they can succeed or fail. Ten interviews with writers, artists, and musicians that delve into the creative process, identity, family, image, myth, and obsession.

Interviews with: musician Owen Ashworth (Advance Base/Casiotone for the Painfully Alone), essayist Elena Passarello (Animals Strike Curious Poses), poet Casey Fuller (A Fort Made of Doors), musician Erika M...[ continued ]

The first issue of Behind the Wheel is one of those instant zine classics that only come along every so often. Kelly Dessaint becomes a Lyft driver in a rapidly changing San Francisco and chaos ensues. Dessaint, an old-school zine curmudgeon of the highest order, is the perfect guide for this journey—never bought in, ever out of place, always questioning. 

Within: learning the ropes, techwads, cops, required fist bumps, class war...[ continued ]

In the second issue of Behind the Wheel, Kelly Dessaint, in addition to doing Lyft, becomes an Uber driver and brings us behind the scenes of the so-called sharing economy—in all its less-than-glamorous glory.

Within: sex clubs, tech bros, bottled water entitlement, a thousand iPhones, plus $500 and a taco. 

60 pages, half-letter size. Part of the Piltdownlad​ zine series...[ continued ]

Behind the Wheel #3 documents Kelly Dessaint's transition from driving Uber and Lyft to becoming a certified taxi cabi driver. Collected from his San Francisco Examiner column, along with new material, this issue is perfect for anyone wondering about the economic and social consequences of rideshare services. 

Within: pukers, erotic massage parlors, infiltrating a tech conference, life as a vice chauffeur, and the cabbie enigma...[ continued ]

Bending Spoons: A Field Guide to Ableist Microaggressions is an illustrated guide to the types of questions and comments M. Sabine Rear experiences as a blind woman in public. A crucial read for able-bodied people hoping to better understand the experience of living with a disability.

24 pages, oblong quarter-size.

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An exploration of the body, one part at a time, by Tomas Moniz. Written as poems, but reading more like vignettes or small essays about how complicated it is just to exist in your own frame. These pieces are sweet, emotionally heavy, sexy, and sometimes really funny. They are so honest that it leaves you wishing for that same openness in yourself, to be so unashamed of what we carry around and what we desire...[ continued ]