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Zines

Last copy! Within are selected notes (taken from a journal that had been lost for 20 years and showed up in the mail unexpectedly) made while touring around North America in 1995 showing the 8-track devotee film, So Wrong They're Right. Checking out Nancy Sinatra macaroni portraits and going to sleep to Maya Deren films. The real treats of 8-Track Mind #103 are the foreword and afterward—heartfelt, insightful, perspective-shifting goodness...[ continued ]

Clock Tower Nine is a perfect assortment of oddities. Pinball history, Cleveland novelty shirts, postcard lessons, jukebox stories. All I can say is I want every issue from here on out.

20 pages, half-letter size.

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Clock Tower Nine has become one of my new favorite zines. Using a variety-format approach reminiscent of classic '90s zines, Danny Noonan puts together a consistently interesting assortment. Letters, postcards, and the stories of others mix with personal narratives, odd facts, and ephemera.

This issue largely consists of a story about being a roadie for a band, an intercontinental fast friendship through postcards and drunk dials, and a barely-planned cross-country road trip...[ continued ]

A highly enjoyable series of comics adapted from music biographies. Within: Bob Dylan's makeshift Blood on the Tracks backing band, Kurt & Courtney's mac-and-cheese trials, John & Yoko's primal scream therapy, John Coltrane being a good guy, Mike Watt wearing a pumpkin on his head, the feuds of J Mascis & Lou Barlow, and Kristin Hersh's evil self.

40 pages, half-letter size...[ continued ]

Ten zinesters talk about an album they love. From The Wipers to The Breeders, Elton John to Ol' Dirty Bastard. With great pieces from Billy McCall (Last Night at the Casino), Katie Haegele (The La-La Theory), and Ed Tillman (Manfiesto). My personal favorite: a delve into five forgotten '90s soundtracks.

I F#cking Love This Album is a quick, fun, and affordable read that has a charming made-on-a-word-processing-program-in-1994 aesthetic...[ continued ]

In this issue of Let it Sink, "A Short & Inaccurate History of Songs, Sounds, & Imagined Needs," Jim Joyce takes us from punk shows to classrooms, covering French recording history and boiling records. Consistently one of the most intriguing zines running.

52 pages, triangular quarter-size. Plus a scratch ticket at the end.

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A split zine with one side being dedicated to anecdotal stories of loving Lou Reed (R.I.P.!) in the '70s and the other being about falling in love with the Violent Femmes in 1990. Also within: concert reviews, a giant Violent Femmes crossword, and Favorite Movies About Punx comics.

28 pages, half-letter size.

A west coast report, show reviews, comics, photos, and interviews with Nandas, Vanity, and Sheer Mag! All on one large folded sheet of newsprint. Plus: A break-up survival guide insert.

One large newsprint sheet of sheer madness. It's always a pleasure.

Alex Simon interviews Ellie from Good Throb, interview with Mark Winter (Coneheads, CCTV), a poem by Shannon of Hysterics, Mateo from Dawn of Humans writes about his favorite Europe tour records, and DX writes about that NYC feeling. Art by Cecilia Caldierra and Sam Ryser.

In this issue of everyone's favorite punk fanzine, the one-and-only Aaron Cometbus writes about his collection of hardcore business cards. Plus: Comics by Beau Richie, the favorite records of Emmy from Cretins of Distortion zine, the tattoos of Jeff Caffey from Gag, an interview with Mommy, and a pull-out poster by Sonya Cometees.

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