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Zines

The ten-year anniversary issue of Basic Paper Airplane! Short essays about trying to make a living from writing words. Comic nightmares from the world of freelance writing, night school, weekly papers, and cities of books.

Paper airplane examples throughout. 32 pages, cut half-letter size.

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This issue of the long-running Basic Paper Airplane zine series focuses on interviews—what it means to create that space and all the ways they can succeed or fail. Ten interviews with writers, artists, and musicians that delve into the creative process, identity, family, image, myth, and obsession.

Interviews with: musician Owen Ashworth (Advance Base/Casiotone for the Painfully Alone), essayist Elena Passarello (Animals Strike Curious Poses), poet Casey Fuller (A Fort Made of Doors), musician Erika M...[ continued ]

The first issue of Behind the Wheel is one of those instant zine classics that only come along every so often. Kelly Dessaint becomes a Lyft driver in a rapidly changing San Francisco and chaos ensues. Dessaint, an old-school zine curmudgeon of the highest order, is the perfect guide for this journey—never bought in, ever out of place, always questioning. 

Within: learning the ropes, techwads, cops, required fist bumps, class war...[ continued ]

In the second issue of Behind the Wheel, Kelly Dessaint, in addition to doing Lyft, becomes an Uber driver and brings us behind the scenes of the so-called sharing economy—in all its less-than-glamorous glory.

Within: sex clubs, tech bros, bottled water entitlement, a thousand iPhones, plus $500 and a taco. 

60 pages, half-letter size. Part of the Piltdownlad​ zine series...[ continued ]

Behind the Zines is a zine about zines. Think of it as a small-scale Broken Pencil or Xerography Debt, a biannual publication that puts a spotlight on what's going on in the zine community. In this issue: scene reports, zine fest travels, zine spreadsheets, zine reluctance, and zine reviews. It asks how personal is too personal, and includes an interview with Kara Comegys of the zine Clumsy, discussing zines, sexual assault, and using art to heal...[ continued ]

Bending Spoons: A Field Guide to Ableist Microaggressions is an illustrated guide to the types of questions and comments M. Sabine Rear experiences as a blind woman in public. A crucial read for able-bodied people hoping to better understand the experience of living with a disability.

24 pages, oblong quarter-size.

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An exploration of the body, one part at a time, by Tomas Moniz. Written as poems, but reading more like vignettes or small essays about how complicated it is just to exist in your own frame. These pieces are sweet, emotionally heavy, sexy, and sometimes really funny. They are so honest that it leaves you wishing for that same openness in yourself, to be so unashamed of what we carry around and what we desire...[ continued ]

In this issue of Brainscan, Alex Wrekk (Stolen Sharpie Revolution) discusses the individualized witchcraft practice she's pieced together over the past decade. While documenting her journey, she looks at a variety of other witchcraft traditions, why they didn't fully work for her, and why secular witchcraft is just as valid as any other form. She also gives plenty of history and context to help understand terms that often get lumped together (Wicca, Pagan, etc), and critiques the cultural appropriation and consumerism that often arise in modern witchcraft manifestations...[ continued ]

In Caboose #10, zine limunary Liz Mason explores the world of transcendental meditation. The zine is an adventure through her discovery process, taking her into nondescript offices and tiny rooms full of fruit and hankies. Also within: TM memoirs, informational videos, Cutco knives, Dale Carnegie, Skinny Puppy, Jerry Seinfeld, the Maharishi, and David Lynch.

24 pages, half-letter size...[ continued ]

The Seattle zine Clock Tower Nine is a perfect assortment of oddities. Pinball history, Cleveland novelty shirts, postcard lessons, jukebox stories. All I can say is I want every issue from here on out.

20 pages, half-letter size.

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