updating cart, please wait...
Zines

Part music magazine, part art zine, and part literary journal, Antsy is a notably pleasurable combination of things brought to you by a star-studded cast. Within: editor Dustin Krcatovich interviews street-performer legend The Space Lady and experimental filmmaker Ben Russell. Pop songwriting genius Fred Thomas interviews ambient musician Dominic Coppola. Forest Juziuk brings us into the making of the classic surf-rock novelty record The Ventures in Space...[ continued ]

The ten-year anniversary issue of Basic Paper Airplane! Short essays about trying to make a living from writing words. Comic nightmares from the world of freelance writing, night school, weekly papers, and cities of books.

Paper airplane examples throughout. 32 pages, cut half-letter size.

[ continued ]

This issue of the long-running Basic Paper Airplane zine series focuses on interviews—what it means to create that space and all the ways they can succeed or fail. Ten interviews with writers, artists, and musicians that delve into the creative process, identity, family, image, myth, and obsession.

Interviews with: musician Owen Ashworth (Advance Base/Casiotone for the Painfully Alone), essayist Elena Passarello (Animals Strike Curious Poses), poet Casey Fuller (A Fort Made of Doors), musician Erika M...[ continued ]

In this issue of Brainscan, Alex Wrekk (Stolen Sharpie Revolution) discusses the individualized witchcraft practice she's pieced together over the past decade. While documenting her journey, she looks at a variety of other witchcraft traditions, why they didn't fully work for her, and why secular witchcraft is just as valid as any other form. She also gives plenty of history and context to help understand terms that often get lumped together (Wicca, Pagan, etc), and critiques the cultural appropriation and consumerism that often arise in modern witchcraft manifestations...[ continued ]

Last two copies! A brand new printing of this fabulous zine from the ever-wise Sarah Mirk (author of Sex From Scratch and Open Earth). In Drink More Water, Be More Honest: 30 Lessons From My 20s​, Mirk guides us through the small revelations of a difficult decade with mini-posters of important lessons and reminders. Brilliant, hilarious, and adorable, this is a must-read zine for anyone, at any age...[ continued ]

Empathy Exercise places the classroom exercise of putting a blindfold on to imagine being blind against the daily reality of being blind. Through M. Sabine Rear's stunning comic panels, the juxtaposition points out both the limitations of the exercise and the false narratives it perpetuates.

16 pages, oblong quarter-size.

[ continued ]

In her short illustrated essay A Few Good Boys, M. Sabine Rear writes about growing up surrounded by art from straight white men and the hoops she had to go through to relate to it. She also writes about the men she holds onto, and her dread that they might one day be revealed as monsters.

16 pages, quarter-size.

[ continued ]

In this issue of our favorite Portland photo journal: “Building New Ground." 20 photographers from around the world respond.

With work from: Katherine Akey, Tal Ben Avi, Linda Borst, Craig Buchan, Fergus Coyle, Alexa Cushing, Chris Giuliano, Illesha Khandelwal, Bryan May, Giuseppe Mileti, Svetlana Mladenovic, Azikiwe Mohammed, Paolo Morales, Naveen Naqvi, Kumi Oguro, Joaquin Palting, Rhombie Sandoval, and Jeanette Spicer...[ continued ]

A quiet and haunting issue of the Incandescent photo zine that looks at what it means to be “brittle string in a big storm.”

Work from: Krasimira Butseva, Carmen Colombo, Kristin Dillon, Yael Eban, Lorena Endara, Yoav Friedlander, Juan Giraldo, Juliane Herrmann, Martin Holik, Hannah Nikkelson, Joaquin Palting, Sarah Pfohl, June Tay Sanders, Rhombie Sandoval, Dakota Sumpter, and FeiFan Zhang...[ continued ]

This issue of our favorite photo journal organizes under the banner of the “Slow Read.” And within there are shooting ranges, Mars simulations, fruit harvests, kids in the back of a truck going nowhere. As poet Hajara Quinn writes in her foreword, "A suite of photographs has the quality of a poem with many possible permutations...stirring up the space between the subconscious and conscious worlds...[ continued ]