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Zines

The ten-year anniversary issue of Basic Paper Airplane! Short essays about trying to make a living from writing words. Comic nightmares from the world of freelance writing, night school, weekly papers, and cities of books.

Paper airplane examples throughout. 32 pages, cut half-letter size.

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This issue of the long-running Basic Paper Airplane zine series focuses on interviews—what it means to create that space and all the ways they can succeed or fail. Ten interviews with writers, artists, and musicians that delve into the creative process, identity, family, image, myth, and obsession.

Interviews with: musician Owen Ashworth (Advance Base/Casiotone for the Painfully Alone), essayist Elena Passarello (Animals Strike Curious Poses), poet Casey Fuller (A Fort Made of Doors), musician Erika M...[ continued ]

The first issue of Behind the Wheel is one of those instant zine classics that only come along every so often. Kelly Dessaint becomes a Lyft driver in a rapidly changing San Francisco and chaos ensues. Dessaint, an old-school zine curmudgeon of the highest order, is the perfect guide for this journey—never bought in, ever out of place, always questioning. 

Within: learning the ropes, techwads, cops, required fist bumps, class war...[ continued ]

In the second issue of Behind the Wheel, Kelly Dessaint, in addition to doing Lyft, becomes an Uber driver and brings us behind the scenes of the so-called sharing economy—in all its less-than-glamorous glory.

Within: sex clubs, tech bros, bottled water entitlement, a thousand iPhones, plus $500 and a taco. 

60 pages, half-letter size. Part of the Piltdownlad​ zine series...[ continued ]

Last copy! This long-awaited new issue of Behind the Wheel comes a few years into Kelly's stint as a licensed cab drive, and he's in full politicized grumpy cabbie mode for this one. A continuation of his look at an ever-changing San Francisco and a nuanced take-down of Uber and Lyft, this issue of Behind the Wheel looks at the realities and logistics of surviving and supporting a family as a driver for hire...[ continued ]

Behind the Zines is a zine about zines. Think of it as a small-scale Broken Pencil or Xerography Debt, a biannual publication that puts a spotlight on what's going on in the zine community. In this issue: scene reports, zine fest travels, zine spreadsheets, zine reluctance, and zine reviews. It asks how personal is too personal, and includes an interview with Kara Comegys of the zine Clumsy, discussing zines, sexual assault, and using art to heal...[ continued ]

A new issue of our favorite zine about zines. And there's just so much good. Kate Foray and Dan Nelson discuss the upswing in wrestling zines. Frederick Moe dives into amateur press associations. Jess Hogan tells the nontraditional story of Neither/Nor Distro and how it can work in other places. Plus words, interviews, and features from some of our faves: Anna Jo Beck, Julia Eff, Kari Tervo, Saeko Reed, and so many more...[ continued ]

"Zach Ellis’s debut, Being, is a remarkable, lyrical memoir that works to put into words what it is to be transgender. It’s a book about relationships, about growing up, about the body and mind, about desire, about parenting, about how we adjust to huge changes, and about whom we know ourselves to be. It’s a funny book, an honest book, and a book that cuts deep into you."

Originally released through Future Tense Books' Instant Future series...[ continued ]

Bending Spoons: A Field Guide to Ableist Microaggressions is an illustrated guide to the types of questions and comments M. Sabine Rear experiences as a blind woman in public. A crucial read for able-bodied people hoping to better understand the experience of living with a disability.

24 pages, oblong quarter-size.

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In Better Feminism Workbook: Discussion Questions on Gender Dynamics, Internalized Sexism, and Emotional Labor, Jennifer Williams lays out a series of questions to help people of all genders dig deeper into their intentions, assumptions, and relationship patterns. A simple, one-of-a-kind workbook zine that can be used for both solo writing exercises and as prompts for discussion groups...[ continued ]