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Emily Alden Foster

Writers and artists look at how well (or poorly) movies of the 1930s hold up under today's gaze. Within: women taking control, the Hays Code, Thin Man drinking games, dubbed Dracula, and some AMAZING Busby Berkeley tribute art. Highly recommended.

60 pages, quarter-size.

The world of work as a woman, explored through comics, essays, and other surprising and interesting forms. All great. Best part: the work histories of the authors' moms and grandmas.

56 pages, half-letter size.

The second issue of the excellent movies of the 1930s zine, A Great and Terrible Golden Age. Within: a Joan Crawford rich person solo sport montage, Soviet sci-fi, the pompous genius of "the fifth Marx Brother" Margaret Dumont, Greta Garbo's only rom-com, and Ernst Lubitsch galore!

Contributions from Emily Alden Foster, Bethany Simard, Yvonne Li, Emily Parrish, Lindsey Simard, Robert Dynamite, Tessa Brunton, and Joshua James Amberson...[ continued ]

An entire issue of A Great and Terrible Golden Age dedicated to the one-and-only Claudette Colbert. Essays and comics about her controversial (and motion picture industry-altering) boobs in Cecil B. DeMille's 1932 film The Sign of the Cross and her year of ruling Hollywood (1934) when she made It Happened One Night, Cleopatra, Four Frightened People, and Imitation of Life...[ continued ]