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Madeleine Campbell

This issue of Women in Sound zine looks at how place affects the creative process and the idea of "space, and feeling empowered to occupy it." They interview members of The Julie Ruin, Qualiatik, and Eartheater. They talk to engineers, luthiers, and ask Katy Otto of Exotic Fever Records how to start a label.

There's a tribute to Vi Subversa of Poison Girls, a number of original scores from sound artist Becky Grajeda, and a great how-to guide called "What's What in the Studio?"

The issue is also a benefit for [ continued ]

A new issue of Women in Sound zine is always cause for celebration. But this one is perhaps the best yet. Interviews with three of our favorites: Mirah Zeitlyn (as in, indie-pop goddess Mirah), Laetitia Tamko (of Vagabon), and legendary Prince recording engineer Susan Rogers (!?!). It's nuts.

If that's not enough, there's also interviews with Dana Wachs (of Vorhees), Rachel Alina, Felix Walworth (of Told Slant), TRNSGNDR/VHS, and Leslie Gaston-Bird...[ continued ]

One of our favorite zines around, Women in Sound is always packed with interesting discussions from across the musical map. This time around, there's conversations with: synthesizer pioneer Suzanne Ciani, legendary punk label founder Lisa Fancher (Frontier Records), Amy Dragon (Telegraph Mastering), Marta Salogni (recording & mixing engineer for Bjork and Frank Ocean), Pamela Dwyer (live sound engineer, CKUT), Natalie Hernandez (Death By Audio Effects Pedals), Amanda Davis (live sound engineer for Janelle Monae and Tegan + Sara)...[ continued ]